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7eventy 5ive To begin, this movie has a great beginning; it pulled me right into it.This is something not usually seen in movies of this type, so it makes it an unusual, yet pleasant experience.The action scenes are really great. Wil Horneff played his role great. Brian Hooks actually caught my interest.

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If you love watching Wil Horneff or Brian Hooks, you are deffinetly going to want to watch 7eventy 5ive.

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The spring semester is coming to a close at a private university in Colorado. A closeknit circle of friends who have dubbed themselves the Crew, tire of studying for finals and engage in a harmless prank calling contest called 75. However in this modern version of an old prank, the calls are crueler and the stakes are higher. The rules are simple: prank call a random person and scare the hell out of them for 75 seconds. If the person laughs or hangs up, you lose. Whoever has the best scare wins. For the Crew and their friends, 75 quickly becomes a popular game on campus. But what starts as celebration, relaxation, and an exclusive round of 75 in a mansion, turns into an intense game of survival when someone accidentally calls the wrong person. Fear and mayhem spill forth with mortal con sequences as the Crew struggles to avoid their ultimate fate.

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Scaramouche was an incredible movie! Both Stewart Granger and Eleanor Parker were amazing! The great cast includes Stewart Granger, Eleanor Parker, Janet Leigh, Mel Ferrer, Henry Wilcoxon.

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As first lines go, Scaramouche's is irresistible: "He was born with a gift of laughter, and a sense that the world was mad." This exuberant period adventure is pretty irresistible itself--even more than Captain Blood and The Sea Hawk, likewise derived from Rafael Sabatini novels. Within more or less one day in pre-revolutionary France, devil-may-care Stewart Granger learns he's the bastard offspring of a nobleman, gets orphaned, realizes he's fallen in love with his sister (Janet Leigh), swears to avenge his best friend's murder, becomes a hunted traitor, and breaks into show business. George Sidney directs as if making an MGM musical, only with swashbuckling instead of song-and-dance. The unlikely casting of Granger and Mel Ferrer as overripe nemeses proves delightful, cameraman Charles (Sunrise) Rosher's Technicolor palette alternates commedia dell'arte garishness and misty, Watteau-like imagery, and the climactic six-and-a-half-minute duel all over a Parisian theater is a tour de force. --Richard T. Jameson

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